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       Charlene Baldridge Don Braunagel
Jennifer Chung
Klam Carol Davis
James Hebert
Pam Kragen
Ruth Lepper
Frankie
Moran Jeff Smith
Anne
Marie Welsh George Weinberg-Harter
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has been the theater critic for the
San Diego Reader since 1980, and also writes a local
history column. He has a Ph.D. in literature
and critical theory from the University of California, Irvine. He
wrote his doctoral dissertation on Shakespeare. He has dramaturged
dozens of shows. Favorites include Sam Shepard's The Tooth of Crime,
Peter Barnes's Red Noses (both at SD Rep), Tom Stoppard's Arcadia
(North Coast Rep), and Shakespeare's Hamlet (New Village Arts)
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Anne Marie Welsh,
former theater critic for the
San Diego Union-Tribune, is a free-lance writer. Welsh earned her
M.A. and Ph.D. degrees in English and drama from the University of
Rochester. In 1976, she joined the staff of the Washington Star
where she was dance critic and backup theater critic until the
paper's demise. Welsh came to the San Diego Union in 1983
serving as the paper's dance critic, second theater critic and
arts reporter before a ten-year stint as the paper's theater critic. She co-edited The Longman
Anthology of Modern and Contemporary Drama: A Global Perspective and
co-authored Shakespeare: Script, Stage and Screen. She has served on
the jury for the Pulitzer Prize in drama and is a member of the
editorial board as well as a regular essayist for Best Plays, the
national yearbook of American theater. She is also the proud mother
of three sons — Adam, Martin and Casimir Morawski.
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Don Braunagel has been theater
critic and columnist for
San Diego Magazine since 1995 and writes occasional
reviews for the Los Angeles Times. He covered theater for the San Diego
Tribune from 1980 until the paper's merger with the San Diego Union in 1992,
and was San Diego critic for Daily Variety until 1995. Before that, Braunagel was
entertainment editor and theater critic for the Oakland Press in Pontiac, MI.
He's reviewed myriad productions in London, New York, Toronto and Stratford, Ontario, and
in theaters across the United States, from Ashland to Asolo. San Diego theater, he
believes, ranks with the best.
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George Weinberg-Harter was born in
San Diego in 1944 as George Harter, and graduated from San Diego High School in 1962. He
spent the rest of the '60s at San Diego State University earning degrees in literature
(and draft avoidance) and doing graduate work on Joseph Conrad and Miguel de Cervantes
Saavedra. In 1972, he married and combined surnames with Susan Weinberg. He has been an
observer of, and a participant in, San Diego theater all his life, and for more than two
decades has written freelance theater articles for the San
Diego Union-Tribune, Drama-Logue, Back Stage West and
sandiego.com. He has also worked occasionally as a graphic artist, has taught
calligraphy, is a co-founder of the San Diego Fellow Calligraphers and has designed many
theatrical posters.
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Photo by Danielle Strom |
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Pam Kragen,
the president of the San Diego Theatre Critics Circle, is the arts
and features editor of the North
County Times newspaper and has served as the paper's theater
critic since 1999. She
is a fellow from the National Endowment for the Arts' Institute for Arts Journalism at USC. She
has worked full-time at daily newspapers in the San Diego area since 1981, when she joined
the staff of the Daily Aztec at San Diego State University. Over the
years, she has worked as a financial editor and writer, news editor and copy editor. She is also
mom to two teen-agers, Matt and Aubrey. |
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Jennifer Chung
Klam
is arts editor and reporter for the San Diego business paper The Daily Transcript.
The nearly native San Diegan writes about theater, arts and culture for a variety of local
and national publications including Create magazine, the
San Diego
Union-Tribune, San Diego CityBeat and
sandiego.com. She is also an
editor for online travel magazine World Hum, sometimes poet and
aspiring Great American Novelist. |
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James
Hebert has been an arts writer for The San Diego
Union-Tribune since 1997. He spent his early childhood in Japan
before the family moved to California in 1967. After graduating from
SDSU, he earned a master's degree at Columbia University in New
York, then moved to Boston with his now-wife, Sophy Chaffee (a
Columbia classmate), where he became assistant editor of Offshore
magazine. He shortly got out of the yachting racket and returned to
San Diego, joining the U-T as a copy editor. Hebert has written
about pop music, film and media, and has reviewed theater here since
1995. He's a proud dad of two highly entertaining kids, Audrey and
Zander. Likes: Surfing, running, Greek food. Dislikes: Weak coffee,
"Starlight Express." |
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Frankie Moran, a freelance theater
critic for sandiego.com, is a graduate of the 2008 NEA Arts
Journalism Institute in Theater and Musical Theater at USC's
Annenberg School of Communication. Before that, he was a Phi
Theta Kappa valedictorian at San Diego's own Mesa College and went
on to graduate from UCLA's School of Theater, Film, and Television.
Frankie got his start in criticism writing reviews of Broadway shows
during a short stint studying law at Columbia University. Since
then, he has written for the North County Times and in scenic New
Mexico for the Las Cruces Bulletin, and now for www.sandiego.com.
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Associate members: William Fark,
Welton Jones,
Christopher Schneider, Jim Trageser
Member
emeritus: Frances Bardacke |
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